This studio visit started off a bit different. We had left Santa Barbara late, where we’d let the hours get away from us while visiting Joan Tanner, and so we headed up the coast to Trent’s Arroyo Grande studio in the dark, in kind of a mad dash to get to him on time. When we arrived it was pitch black. It was impossible to see houses or driveways or mailboxes; it was as if everything along... Read more»